In 2009 Claus Guth wrapped up his Da Ponte cycle for Salzburg with Così fan tutte. I really like his Le Nozze di Figaro and after seeing this Così I’ll certainly be seeking out the Don Giovanni too.
This production was staged in the Haus für Mozart and uses a single set. It’s the girls’ apartment; a very expensive looking two level loft with a broad staircase that recalls the Figaro. The setting is contemporary and it opens on the aftermath of what appears to have been a rather good party. The men are preparing to leave when Don Alfonso issues his challenge. It’s the edgiest version of the scene I’ve watched with quite an undertone of violence. This is clearly not going to be a light comedy. By Una bella serenata the characteristic feathers of the Figaro have appeared. The edginess continues throughout the first act with many deft touches, especially a power cut staging of Come Scoglio. When the “Albanians” appear there is only the most perfunctory effort at disguise. No slapstick moustaches here. Continue reading