Cheap enough for beggars

Last night I went to see Essential Opera’s cheap and cheerful production of Brecht and Weill’s The Threepenny Opera.  It was a semi staged production in the relatively small Heliconian Hall.  Semi-staged in this case meant sung in costume from music stands with very basic blocking.  Accompaniment was by Cathy Nosaty on piano and accordion which actually suited the music pretty well.

The singing was good, sometimes very good.  Probably the stand out was Laura McAlpine’s Jenny.  Of all the singers on display she was the one who seemed most immersed in the sound world of the piece and could vary style and technique appropriately.  Erin Bardua’s Lucy Brown was really quite idiomatic too.  The others were more consistently operatic which sounded a bit odd in places but worked surprisingly well in, for example David Roth and Heather Jewson’s rather refined refined and bourgeois Peachums.  Obviously this approach also worked for the character who are usually sung operatically; Macheath, Brown and Polly for example.  The ensembles were all also very effective.

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Less than the sum of its parts

Ken Russell’s 1985 production of Gounod’s Faust at the Wiener Staatsoper makes an uneven and somewhat unsatisfying DVD.  The music making is fine, sometimes very fine, and the production has some very interesting and effective scenes but the overall concept doesn’t quite work.  Add to that quirky video direction and a picture quality that’s not good even by 1985 standards and the package as a whole just doesn’t quite make it.  It’s a shame as this is more interesting than most opera productions of the period.  Continue reading