Cartoonish barbiere

So following on from Jean-Pierre Ponelle’s last film we now turn to one of his earliest, a 1972 version of Rossini’s Il barbieri di Siviglia.  It’s based on his production for La Scala but is, as usual with Ponelle, studio recorded and shot in the studio with lip synching.  It’s not an especially interesting production but it does have a starry cast including Hermann Prey in the title role. 

The setting is, quite straightforwardly, 18th century Seville.  Sets and costumes cleave closely to that idea though a rather cartoonish portrait of Bartolo and Rosina’s hemlines are decidely anachronistic.  The production too is quite straightforward  though rather a lot of “business” is added which, coupled with the make up for Bartolo and Basilio gives the whole thing a rather cartoonish air.  This is reinforced by Ponnelle’s characteristic direction with lots of playing straight to the camera.  I didn’t find the production especially interesting or insightful.

The performances are very good, if not especially idiomatic.  Prey is a smiling, bouncy Figaro who sings accurately but doesn’t sound terribly Italian.  Luigi Alva, on the other hand, is a very Italian sounding Almaviva.  I enjoyed his singing but many, I think, will find his old fashioned ornamentation a bit heavy handed.  Teresa Berganza is a very photogenic Rosina who plays the part more as flirt than minx. One really sees this in una voce poco fa which is not very ironic, in fact rather sweet.  Maybe, also, she’s on the mature side for Rosina but less obviously so than María Bayo on the Madrid recording.  Enzo Dara’s Bartolo and Paolo Montarsolo’s Basilio are clowned up to suit Ponnelle’s direction but sing well enough.  Claudio Abbado conducts idiomatically and the La Scala orchestra and chorus are perfectly adequate.

The technical aspects of this disk are a bit problematic.  It’s obviously filmed, not videorecorded, so at least we don’t have 1970s standard video to worry about but the transfer of the 4:3 picture to DVD isn’t perfect, especially in the darker scenes which are quite flickery.  The sound is even more problematic.  I started listening to the DTS 5.1 track (ANSI II synthesized from stereo) and it was dry and hollow.  I switched to the PCM stereo, which was better but only just.  The dynamic range is extreme and, while some of that is natural, some of it appears just to be random volume drops.  The orchestra/singer balance changes several times too for no apparent reason.  There are English, French, German, Italian, Spanish and Chinese subtitles.  The only bonus material is trailers for some other DGG disks of the era including a hilarious looking Madama Butterfly featuring Placido Domingo in an outrageous moustache and a weirdly dated looking Carmen with Grace Bumbry and Jon Vickers.

There are much better recordings of this work out there so this one is of strictly historic interest.

Advertisements

4 thoughts on “Cartoonish barbiere

  1. Great review, as usual! If you like, maybe you should review all ten of Ponnelle’s studio/”on-location” opera films (“Barbiere,” “Figaro,” “Butterfly,” the Monteverdi trilogy, “Cenerentola,” “Rigoletto,” “Mitridate” and “Cosí”), then do a comparative roundup of them, like you did of the different “Peter Grimes” DVDs. You’ve already reviewed several of them, after all. I think the later ones are generally stronger than the earlier ones, though the early ones have their own quirky charm too, and they all have A-list singers and conductors. 🙂

    • It’s a great idea but I’m pretty much restricted to what Toronto Public Library has. I don’t envisage buying any of these! My wish list is long enough as it is. I do have the Figaro lined up though.
      Is the Butterfly the Domingo/Freni one? The trailer for that was hilarious. It was like Placiso Domingo meets the Olivier/de Havilland “Wuthering Heights”.

      • Yes, that’s Ponnelle’s “Butterfly.” It’s a quirky one… a very quirky one. But I’ve always had a soft spot for it, probably because it was one of the first “Butterflies” I ever saw.

      • I also have a soft spot for the Freni/Domingo Butterfly, because Freni is such a cute Butterfly and also I’ll never get over the sight of Domingo in one of his stouter incarnations bursting through the paper walls of the house as Butterfly kills herself.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s