Upcoming

The Ukrainian Art Song Project have a couple of events coming up.  There’s an opportunity to audit the Summer Institute at the Temerty Theatre at the RCM on August 9th through 11th.  Advance registration is required but it’s free.  The concluding concert is on Sunday 13th August at 3pm also in the Temerty.  Tickets are $25 from the RCM box office or their website.  The nine singers include: Taras Chmil, Tenor; Natalya Gennadi, Soprano; Laura McAlpine, Mezzo-Soprano; David McCune, Bass; Viktoriia Melynk, Soprano; Tasha Meisami-Farivar, Mezzo-Soprano; Ariane Meredith, Mezzo-Soprano, Andrew Skitko, Tenor and Oleksandra Verzole, Soprano. They will interpret the works of Ukrainian composers, including Vasyl Barvinsky, Mykola Lysenko and Yasiv Stepovyi.

Meanwhile on July 27th LooseTEA have another improv night with the second Whose Opera is it Anyway?! at the Comedy Bar at 945 Bloor West.  Tickets are $12 from the Comedy Bar website.  Performers include Greg Finney, Lindsay Sutherland Boal, Adanya Dunn, Jonathan MacArthur, Rachel Krehm, Amanda Cougan, Jeff Boyd, Gillian Grossman and Erin Stone.

News

soileSo after a bit of a hiatus the Toronto music scene is coming back to life.  The Toronto Summer Music Festival has kicked off and the main interest for followers of the vocal arts lies in the Art Song fellows project with concerts at 1pm on each of the next two Saturdays in Walter Hall (free but tickets required).  Then the vocal highlight of the festival; Soile Isokoski in recital with Martin Katz at 7.30pm on the 18th at Walter Hall.  The programme includes the Schumann Mary Stuart songs, the Strauss Ophelia songs plus some Wolf and, of course, Sibelius.  Ms. Isokoski is also giving a public masterclass in Walter Hall on the 23rd at 2pm.

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Signal boosting

charlotte-poster-dots-600I didn’t actually see anything much in the Luminato line up that got my juices flowing but my attention has now been drawn to CHARLOTTE: A Tri-Coloured Play with Music.  It’s a Singspiel about a young female Jewish artist struggling with her identity and art during the early 1940s.  She ends up in Auschwitz.  You get the picture.  The title role is being played by Adanya Dunn and the musical director is Peter Tiefenbach which, frankly, are reasons enough to go see it.  It plays June 16th to 18th at the Theatre Centre on Queen Street West.  More details here.

On a completely different tack, Jane Cooper is trying to raise funds to publish her biography of Bertha Crawford, a Canadian soprano who enjoyed a very successful operatic career in Poland and Russia in the early 20th century but who has been largely forgotten.  You can find out more at Jane’s Kickstarter page.

RCM 2017/18

The Royal Conservatory of Music announced their 2017/18 concert season last night.  There are over 100 concerts spread across just about every genre.  I think the following are likely of most interest to Operaramblings readers.

  • November 10th 8pm Koerner Hall – Barbara Hannigan with Reinbert de Leeuw in all Second Vienna School concert.  The pick of the season for me.
  • February 14th 8pm Koerner Hall – Ian Bostridge with Julian Drake in an all Schubert program.
  • April 22nd 3pm Koerner Hall – Gerald Finley with Julius Drake  with a mix of art song and British and American folksong.
  • April 6th 2018 8pm Koerner Hall – Bernstein@100; a celebration of Lenny with the ARC Ensemble, Sebastian Knauer and the lovely Wallis Giunta.

HanniganBarbara

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Soundstreams 2017/18

endeSoundstreams have announced an intriguing line up for the 2017/18 season.  There are five main stage shows plus three in the Ear Candy series.  For vocal music fans there’s a lot to like starting with a multi-media presentation of Claude Vivier’s Musik für das Ende.  Stage director Chris Abraham and music director John Hess combine with Choir 21 to create a “ritual” about exile, immigration and “otherness”.  Performances will be at Crow’s Theatre with a run from October 27th to November 4th 2017.

 

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Looking ahead to June

Suffragette-Banner-4-e1486152573698Usually this is when things start to quieten down. Not so much this year.  On the opera front it does go a bit flat though Opera 5 have their Ethel Smythe double bill opening at Theatre Passe Muraille on the 22nd.  There’s also an evening of opera improv; Whose opera is it anyways?! at the Bad Dog Theatre on the 16th organised by Loose TEA theatre.  And there’s quite a bit more of interest.  Continue reading