Sorry if, after the preview listing, anyone was expecting a review of Karina Gauvin and Tafelmusik last night. I was scheduled to go but, for only the second time ever, I had to bail. I have a cough that should not be inflicted on any concert venue or audience. If things improve in the next 48 hours I’ll try and catch one of the later shows.
Tapestry Songbook is the culmination of New Opera 101; a week long masterclass where young singers get to work with established performers on repertoire from Tapestry’s extensive collection of recent Canadian work. This year the “masters” were Krisztina Szabó, Keith Klassen and Steven Philcox. The week culminates with a series of concerts of :scenes”; some performed by the “masters” and some by the students. s there were fourteen pieces performed and a cast of thousands I’m just going to report on my personal favourites with due apologies to anyone who got left out.
Klassen, Szabó and Philcox kicked things off with the rather disturbing Merk’s Dream; a collaboration from the 2011 LibLab by Nick Carpenter and Elisabeth Mehl Greene. It’s a creepy vignette of a dying man trying to get through, and largely failing, to his developmentally challenged daughter, brilliantly portrayed by Szabó. This was followed by In This World George is Heartbroken; a 2012 LibLab piece by Hannah Moscovitch and Lembit Beecher about various, largely imagined, aspects of a dull middle class marriage. By turns hilarious and violent it featured a really interesting prepared piano accompaniment and featured three of the stars of the evening; Gwenna Fairchild-Taylor, Janaka Welihinda and, new to me, the very impressive Markéta Ornova on piano.
Last night saw the Ensemble Studio’s big main stage performance. Rather than perform one of the COC’s current productions (hard to imagine how they could cast one from the current line up) we got scenes from three operas; two of them from the COC’s current season. They were performed with the orchestra on stage in front of the backdrop to the opening scene from the current Die Zauberflöte and in concert dress rather than costume (more or less, there were some nods to the roles in question) and with some blocking as far as limiting movement to the front of the stage permitted.
Thursday seems to be the big day next week. Ileana Montalbetti and Rachel Andrist have a lunchtime recital in the RBA. There’s Strauss and Mozart and Beethoven and more. Ileana has been a really impressive Gutrune in Götterdämmerung so I’m excited to see her in recital. That evening there’s a choice of the annual COC Ensemble Studio performance at the Four Seasons Centre where the Ensemble members will be offering staged scenes, with full orchestra, from Mozart’s La finta giardiniera, Bellini’s Norma and Handel’s Ariodante. The alternative is Tapestry Songbook VII featuring Krisztina Szabó, Keith Klassen and Stephen Philcox performing numbers from Tapestry’s extensive back catalogue. That’s at the Ernest Balmer Studio at 7.30pm. There are repeat shows on Friday at 7.30pm and 10pm. Looks like both 7.30pm shows are sold out but late night Friday is still available. Operaramblings’ extensive spy network (not Louise Mensch) suggests that patrons may also learn something to their advantage. The day before, Wednesday at 7.30pm, there’s a Don Giovanni in concert at Royal St. George’s Chapel. Actually seeing as how dancer Bill Coleman is involved it may not be entirely straight “in concert”. The cast includes Alexander Dobson in the title role, Katherine Whyte, Colin Ainsworth, Taiya Kasahara, Vania Chan and Matthew Li plus a “special guest”. Tickets at www.opera-is.com or on the door. There is still time to catch the COC’s winter offerings. The Magic Flute plays today, tomorrow and Friday with the last Götterdämmerung next Saturday. That last seems to be sold out but the usual rush and standing room deals may apply.
Elena Tsallagova and Sandra Horst entertained the crowd in the RBA yesterday with a flower themed recital of French and Russian songs. It was a very well chosen selection that allowed Ms. Tsallagova to display her versatility. From Debussy’s quite operatic Rondel chinois, where she showed a lot of power for a young lyric soprano, through the varied moods of Bizet’s Feuilles d’album where by turns she was dramatic, sombre and very playful. Throughout she was extremely demonstrative while managing excellent phrasing and impeccable French. She has an interesting range of colours too, from extremely bright through to quite covered and dark and she’s not afraid to use them. Actually, the way she threw herself into the material I don’t think she is afraid of much!
The Christina and Louis Quilico Awards are a singing competition for members of the COC’s Ensemble Studio. This year’s edition took place early yesterday evening in the RBA. Only five members of the Ensemble Studio were competing. Megan Quick and Sam Pickett were not for reasons that I don’t think were announced and Aaron Sheppard was sick. So it was a pretty brief affair. The format as usual was that each contestant offered three arias and got to sing the one of their choice with the judges choosing which of the other two they should sing.
Late notice I guess but Adrianne Pieczonka and Rachel Andrist are performing Schubert’s Winterreise at Mazzoleni Hall this afternoon. It’s sold out anyway. Later, at 7.30pm, UoT Early Music is presenting a concert version of Purcell’s Fairy Queen in Trinity College Chapel. Tomorrow at the relatively unusual time of 5.30pm the members of the Ensemble Studio will be competing for the Quilico awards. That’s in the RBA and free. Also in the RBA, at noon on Tuesday, you can catch Andrew Haji singing a very varied Valentine’s Day program. Then on Thursday, same time, same place, Elena Tsallagova, Pamina in the COC’s current Magic Flute, presents a Russian and French program. The Magic Flute and Götterdämmerung continue at the COC.