Contestants for Centre Stage announced

centrestageThe contestants for this years Centre Stage; the competition for places in the COC’s Ensemble Studio have been announced.  They are bass-baritone Joel Allison (Ottawa); tenor Matthew Dalen (Grande Prairie, Alta.); mezzo-soprano Simona Genga(Woodbridge, Ont.); soprano Natalie Image (Tsawwassen, B.C.); soprano Chelsea Rus (Abbotsford, B.C.); soprano Anna-Sophie Neher (Gatineau, Que.); and baritone Jonah Spungin (Ottawa).  I’ve seen a fair bit of Allison, Rus, Dalen and Genga and I am absolutely not surprised at all that they are competing.  They are all very promising young singers.  I’m looking forward to hearing the others.

This year the judging panel includes regulars Alexander Neef, Roberto Mauro, Liz Upchurch, Wendy Nielsen and Nina Draganić but this year they will be joined by the extraordinary Mary Morrison, whose talent spotting credits include one Barbara Hannigan.  Centre Stage is at the Four Seasons Centre on November 1st with the reception at 5.30pm and the competition starting at 6.30pm.

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Musica e parole

Yesterday’s lunchtime recital at Walter Hall was a collaboration between the Faculty of Music and the Department of Italian studies and explored the links between the source texts for various Italian operas and arias drawn from them.  So each aria was paired with a reading (by Paolo Frascà and Sara Galli) plus an introduction on the literary context by Sara Maida-Nicol who curated the program.  It was an interesting idea that turned out to be rather enjoyable.  Plus, none of the singers had appeared in Tuesday’s show so it was a chance to take a look at a less familiar bunch.

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Golden Age of Opera

Such was the title of yesterday’s performance by the UoT Opera ‘s performance in the RBA.  Now personally I don’t subscribe to the notion of the 19th century (ugh!) as a “golden age” of anything but yesterday suggested that the UoT program, if not quite in golden age territory is going through a bit of a purple patch.  This was, I think, the best student performance overall that I have heard in the last two or three years.

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Artsong ReGENERATION 2

Yesterday we got the second recital by the song fellows of the Toronto Summer Music Festival.  In the week since the first concert they have been working with mentor Soile Isokoski and it showed in the programming.  There was quite a bit of Strauss and more Finnish and Swedish music than I have ever heard in such a recital.  Among other things this highlighted just how difficult Strauss songs are to sing well.  They are exceedingly tricky yet have to sound absolutely effortless.  Three of the four sopranos on show tried.  None of them succeeded completely(*).  So it goes.  And so to the details.

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Artsong ReGENERATION 1

Toronto Summer Music Festival has two “apprenticeship” programmes; one for chamber musicians and one for singers and collaborative pianists.  The latter is directed by Martin Katz and Steven Philcox.  On Saturday afternoon in Walter Hall we got our first chance to see this year’s young artists.  Eight singers and four pianists were on show.  The singers were a mix of those who are well known to anyone who follows student opera in Toronto and newcomers.  The pianists were all new to me.

Art Song reGENERATION July 15

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Porgi amor

 

UoT’s show Porgi amor consisted of a series of staged and costumed scenes from Mozart operas with linking commentary, all designed by Michael Patrick Albano.  The operas ranged from La finta giardiniera to La clemenza di Tito with all the major bases in between covered off.  The emphasis was on ensemble numbers and providing opportunities for as many singers as possible so there was a cast of thousands.  It was well structured, quite slick and there was some very decent singing.  One expects a reasonably high standard from UoT Opera and we got it.  As I usually do with this kind of show I’ll refrain from a play-by-play and just talk about a few highlights and do some “talent spotting”.

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Allison and Sinsoulier

The Thursday concert at UoT yesterday was a recital by Joel Allison and Mélisande Sinsoulier, respective winners of the Norcop song prize and Koldofsky prize in accompanying.  It was a very satisfying performance.  Loewe’s Tom der Reimer set the tone with fine singing from Allison and quite inspired pianism from Ms. Sinsoulier.  Allison displayed power and agility plus an ability to sing quite elegantly when required though perhaps he does occasionally “push” the drama a bit further than the text really needs.
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