Last night saw the culminating concert of the IRCPA’s Encounter program. It wasn’t exactly a competition as the winner of the Career Blueprint Award had already been decided but not announced. Still, it had the air of a competition with ten singers each offering an aria accompanied by the ubiquitous Rachel Andrist. It was also being broadcast live on 96.3FM so we got the full on Zoomerplex treatment which is not far short of having flashing signs that say “Applaud Now!!” It’s the price one pays for getting young singers media exposure I guess.
And that wasn’t just the weather that went from balmy to barmy round about verse five of Fauré’s Dans le forêt de Septembre as a cold front hit Mazzoleni Hall with, literally, a bang. Meanwhile the sheltered audience was being treated to a skilfully curated program of art song on the theme of the four seasons sung by Erin Wall and Asitha Tennekoon with Rachel Andrist and Robert Kortgaard at the piano. There were French chansons, German lieder and English songs with a decent injection of CanCon, with Derek Holman, John Greer, Jean Coulthard and Matthew Emery all represented.
The International Resource Centre for Performing Artists is running its Encounter program again this year. 10 young singers will get an all day career workshop with Brett Polegato on October 20th and there will be a concert on November 6th at Zoomer Hall (Liberty Village) at 7.30pm with Rachel Andrist accompanying. One singer will be selected by Brett to receive a Career Blueprint Award.
Information on how to participate, how to sponsor a singer and tickets for the concert is available at www.ircpa.net
Today’s RBA recital was Allyson McHardy and Rachel Andrist in a program called Women on the Edge. What we got was a sampler from what will eventually be a longer show. First up was Schumann’s Poèmes de Marie, Reine des Écossais. It’s a very late Schumann work and, I think, one of his best vocal works. But there’s some history here. Schumann set German translations of five poems by Mary in French plus a Latin prayer Mary’s Latin is very classically elegant). The original French was subsequently rearrranged by Bernard Diamant for Maureen Forrester and that’s the version Allyson sang today. But wait, there’s a snag. The second piece Après la naissance de son fils is a bit of an anomaly. There is no French text by Mary Stuart or anyone else. The text is Scots and probably not by Mary at all. Some sources suggest it was actually graffiti in Edinburgh castle. How/why did Diamant render it into French? Who knows. Scholarly quibbling aside these are really gorgeous works and beautifully suited to Allyson’s voice. She has a really beautiful voice and it seems to be gravitating to contralto territory as she (tries desperately to find appropriately not ungallant phrase). Anyhow it was very fine.
Yes it is and here’s what’s coming up. Sadly Natalie Dessay’s Koerner gig tonight has been cancelled. Get well soon and please come back! Tomorrow at 8pm the TSO has a concert with Carla Huhtanen featuring Morawetz’ Carnival Overture, Boulez’ Le soleil des eaux and Rimsky-Korsakoff’s Scheherezade. On Sunday Lyndsay Promane has a recital at 3pm at Islington United Church with works by Dowland, Faure, Schubert, Vaughan Williams and Strauss. Admission is by donation
Next week there are a bunch of free concerts in the RBA at noon. On Tuesday it’s Alysson McHardy and Rachel Andrist with a program of Schumann and Zemlinsky. Wednesday sees Aaron Sheppard and Stéphane Mayer perform Finzi’s A Young Man’s Exhortation. They will also be joined by Sam Pickett and Megan Quick. Finally, on Thursday Lauren Eberwein, who is sounding really good recently, and members of the COC Orchestra will perform two J.S. Bach cantatas; Ich habe genug and Vergnügte Ruh.
Louis Riel and Tosca continue at the COC.
Yesterday afternoon’s Mazzoleni Songmasters concert featured local tenor Andrew Haji and Welsh baritone Jason Howard in a program somewhat loosely linked to England. Neither singer was, I think, 100% well (Haji’s cold was announced, Howrad’s merely obvious!) but both battled through manfully and gave us some fine singing. There were some interesting contrasts especially in the first half of the program. Andrew kicked off with Francesco Santoliquido’s I canti della sera. I’m no expert on Italian art song but these did sound like songs rather than opera arias, at least in the hands of Andrew and Rachel Andrist. In contrast, Jason’s set (Tosti’s L’ultima canzone, Respighi’s Nebbie, Tosti’s L’ideale and Verdi’s In solitaria stanza), with Robert Kortgaard sounded distinctly operatic and suited Jason’s darkish voice rather well.
Yesterday at noon Ileana Montalbetti, currently appearing in the COC’s Götterdämmerung and pianist Rachel Andrist gave a recital in the RBA. It was five years to the day since they last performed together in that space. Then she was a promising young singer, now she comes over as a considerable interpretative artist. The voice is even bigger (and for a piano recital in the small and not very friendly to dramatic sopranos RBA(*) that was a bit of a challenge) but what’s notable is how much more drama and meaning there is in each number.