Such was the title of yesterday’s performance by the UoT Opera ‘s performance in the RBA. Now personally I don’t subscribe to the notion of the 19th century (ugh!) as a “golden age” of anything but yesterday suggested that the UoT program, if not quite in golden age territory is going through a bit of a purple patch. This was, I think, the best student performance overall that I have heard in the last two or three years.
Opera 5’s latest show presents two rarely seen French one act operas. First up was Reynaldo Hahn’s 1897 work L’île du rêve. It’s one of those French officer falls in love with beautiful sixteen year old girl on tropical island and then “duty” calls and he dumps her and she dies of a broken heart pieces. The only twist is that here he offers to take her back to France but the ruling princess advises her that, away from the island, she will lose her charms and he’ll come to despise her so she doesn’t. A touch of French worldliness colouring this rather overdone plot device perhaps? The staging, by Aria Umezawa, is fairly simple though clearly a lot of thought went into how to make the intimate scenes between the principals work. There are also some rather beautiful projections involved.