So after a bit of a hiatus the Toronto music scene is coming back to life. The Toronto Summer Music Festival has kicked off and the main interest for followers of the vocal arts lies in the Art Song fellows project with concerts at 1pm on each of the next two Saturdays in Walter Hall (free but tickets required). Then the vocal highlight of the festival; Soile Isokoski in recital with Martin Katz at 7.30pm on the 18th at Walter Hall. The programme includes the Schumann Mary Stuart songs, the Strauss Ophelia songs plus some Wolf and, of course, Sibelius. Ms. Isokoski is also giving a public masterclass in Walter Hall on the 23rd at 2pm.
Yes subtitles can be a bit dodgy but the one above is actually from a very good PBS segment on Eric Owens. You can see it here. Or you can just enjoy this snap of him with two lovely ladies on the opening night of Hercules at the COC a little while ago.
The Toronto production of Against the Grain’s A Little Too Cozy opened last night at Studio 42 at the CBC Centre. It’s the third and final instalment in the series of Ivany/Mokzrewski adaptations of the Mozart/da Ponte operas, following on from Figaro’s Wedding and #UncleJohn. Like the earlier pieces it’s updated, site specific and makes a lot of references to social media. The schtick here is that it’s a reality TV dating show. Dora and Felicity are yet to meet Elmo and Fernando in the flesh though they have become engaged via social media and through the prior episodes of the show. Tonight is the season finale and there is one big test left. Can they be tempted by two strange men? Show host Donald L. Fonzo and girl handler Despina will make sure they are maximally tempted. The rest you can work out.
So the cat’s out of the bag. The long awaited where, when and who of Against the Grain’s Toronto run of A Little Too Cozy have been revealed. A Little Too Cozy is the third and final instalment in a trilogy of Mozart “transladaptations” developed by AtG, which place the works in appropriate, non traditional opera, venues and which use English language librettos by Joel Ivany bringing the stories into a contemporary context. The first two instalments; Figaro’s Wedding and #UncleJohn, sold out their Toronto runs.
I really had intended to write up the COC’s new production of Handel’s Hercules tonight. But the best laid plans etc were subverted by the lovely Sasha Djihanian dragging me off to the after party. There will be a proper review in the morning but, if you are smart (and don’t already have tickets) you won’t wait and will go buy some before they sell out.
To tide you over here’s Hercules himself (aka Eric Owens) flanked by Sasha and Rihab Chaieb.
Last night, for the second time (the first was in 2011) the singers of the COC Ensemble Studio competed for the Christina and Louis Quilico Awards; a prize competition created by Christina in memory of her husband, baritone Louis. It was the usual competition format; the singers offer three arias, they sing one and then the judges choose which of the remaining two they will sing. It being the Ensemble Studio on show the standard was extremely high. Nine singers and eighteen arias is too much to report in detail so I’ll concentrate on the winners.
John Terauds may have proclaimed the death of the art song recital in Toronto, and he may even have a point about recitals with high ticket prices, but the line up outside the Four Seasons Centre yesterday for a recital of French chansons rather suggests that the taste for the form has not gone away. The admirably chosen programme of songs, mainly by Poulenc with some Ravel and Milhaud thrown in, was performed by members of the COC’s Ensemble Studio.