Yesterday’s RBA concert was titled Celebrating the Invictus Games. Now the Invictus Games is a sporting competition for athletes disabled on military service. It has royal patronage and has clearly become part of the official pageantry of celebrating all things military, as witnessed by the presence of the Lieutenant Governors of Ontario and Alberta at yesterday’s concert. For me it raises all kinds of questions about why we put the military on a pedestal and how we do it and that is very tied up with the choice of rep at a concert like yesterdays. I’ll come back to that at the end of this piece, after reviewing what we actually heard.
Yesterday at noon we had the traditional season opening performance by the COC Ensemble Studio in the RBA; the Meet the Young Artists concert. There were two new singers and a new pianist joining six members returning from last year. First up was Danika Lorèn with Deh vieni non tardar. I think I’ve run out of new things to say about Danika. It’s all there; a very easy upper register, interesting colours and a growing degree of artistic assurance. I just want to see her on the big stage. Stéphane Mayer was at the piano with his usual sympathetic elegance. He really is rather good!
The Canadian Children’s Opera Company have announced their 50th anniversary season. The big news is that the main production will be a new piece by Alice Ping Yee Ho and Marjorie Chan (the team behind The Lesson of Da Ji). The new piece is called The Monkiest King and is based on the legendary (and comic book) character the Monkey King. Like the earlier work it will fuse western opera and traditional Chinese music techniques and instruments. It will play at the Lyric Theatre at the Toronto Centre for the Arts May 25-27 2018.
There is also going to be a celebratory concert hosted by Ben Heppner on October 26 2017 at the Four Seasons Centre. Besides performances by the current CCOC there will be appearances from Richard Margison, Krisztina Szabó, Simone Osborne and Andrew Haji and a choir of CCOC alumni.
Toronto Operetta Theatre opened a run of Gilbert and Sullivan’s The Pirates of Penzance at the Jane Mallett Theatre last night. Bill Siva-Marin’s production is competent and very traditional with some strong performers in the key roles. It won’t leave you with any new insights into the piece but it’s a well executed production which is lots of fun and very funny in places. When I say traditional I mean pirates in pantomime pirate dress, maidens in some stereotypically Victorian maiden garb and a Major General in a cod colonial uniform. Tnere are the traditional mild updatings to the libretto including a couple of rather well crafted verses in the MG’s patter song that reference the Glorious Leader of our neighbour to the south. There are also a few nice touches. In the second act the MG spends much of the time clutching a bust of one of his purchased ancestors and the “catlike tread” scene is noisily anything but. That said, the choreography and blocking are pretty formulaic though there are some deft touches in the Personenregie. Mabel’s body language in Oh! Is there not one maiden breast? is worth a look.
Over 200,000 women from across Asia were conscripted into sexual slavery by the Japanese army in WW2. They were euphemistically described as “comfort women”. In 2009 playwright Diana Tso met some of the survivors, heard their stories and wrote a play based on their testimony. The result was Comfort, currently playing at the Aki Studio in a production directed by William Yong with music by Constantin Caravassilis.
The seven finalists for the COC’s Centre Stage have been announced. Centre Stage is a singing competition and gals that serves as a sort of final audition for the following year’s Ensemble Studio, a contest for cash prizes and a beano for the rich. This year it’s being held on November 3rd when, unfortunately, I shall be overseas. So, no report here. The finalists are baritone Samuel Chan (Calgary); soprano Maria Lacey (St. John’s, N.L.); soprano Myriam Leblanc (Saint-Lazare, Que.); soprano Andrea Lett (Prince Albert, Sask.); mezzo-soprano Simone McIntosh(Vancouver); soprano Andrea Núñez (Markham, Ont.); and baritone Geoffrey Schellenberg (Vancouver).
Last year’s contestants with the Lieutenant Governor
By an odd coincidence two season announcement pressers hit my in box today; Toronto Operetta Theatre and Les Ballets Trockadero de Monte Carlo. Toronto Operetta Theatre have four shows:
The Waltz Rivals (November 6th at 3pm) is a Léhar and Kálmán greatest hits show featuring Lucia Cesaroni, Adrian Kramer, Holly Chaplin, Stefan Fehr and Greg Finney with Michael Rose at the piano.
Gilbert and Sullivan’s The Pirates of Penzance runs from December 27th to January 8th, 2017. Colin Ainsworth sings Frederic, Vania Chan is Mabel and Curtis Sullivan is the Major General. Derek Bate conducts and Guillermo Silva-Marin directs.
Oscar Straus’ The Chocolate Soldier, based on George Bernard Shaw’s Arms and the Man, runs on April 26th, 28th, 29th and 30th, 2017. Peter Tiefenbach leads the orchestra and the cast includes Jennifer Taverner, Anna Macdonald, Michael Nyby and Stefan Fehr.
Finally there’s an Offenbach tribute concert on June 4th 2017.
All performances are at the St. Lawrence Centre for the Arts.