Sweat

Yesterday I finally managed to do something bike related in conjunction with Bicycle Opera Project’s current tour of Sweat.  I got an early train out to Aldershot, biked to Hamilton and joined up with the bike tour of historic Hamilton organised by the Workers Arts and Heritage Centre to complement the opera, before seeing the afternoon performance of Sweat at WAHC.  I’ll add some bikey/historical observations at the end but since this is an opera blog let’s cut to the chase.

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Toronto Masque Theatre 2016/17

apollodaphneToronto Masque Theatre have announced their 2016/17 season.  There are two main stage productions and three salon concerts.  First of the main stage shows is a double bill of  Handel’s dramatic cantata Apollo and Daphne with Jacqueline Woodley and Geoffrey Sirett and dancer Stéphaie Brochard, directed and choreographed by Marie-Nathalie Lacoursière paired with Richard Strauss’s Enoch Arden based on the epic poem by Tennyson, performed by actor Derek Boyes and pianist Angela Park.  This one is at 8:00 pm on November 17th, 18th and 19th with a pre-show event at 7:15 pm each evening at the Enoch Turner Schoolhouse.

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There must be more money

Rocking Horse Winner; music by Gareth Williams and libretto by Anna Chatterton, opened last night at the Berkeley Street Theatre.  It’s based on the short story by DH Lawrence and is a co-commission of Tapestry Opera and Scottish Opera.  There are some changes from the original story.  Here Paul is a developmentally challenged adult (on the autism spectrum) rather than a child.  The gardener is replaced by his personal care worker who moonlights as a caller at the local racetrack.  This has a couple of advantages.  It provides something of a rationale for Paul hearing the “voice” of the house and for his apparently inexplicable intuition about race winners and it also means that Paul can be cast as a tenor rather than having to make an awkward choice between a boy soprano or a pants role.  As Paul is one of, perhaps the main, character, this simplifies casting considerably.  The work is also gently updated.  So gently in fact that it’s barely perceptible.

RHW-L to R, top to bottom Keith Klassen as Oscar, Peter McGillivray as Bassett, Asitha Tennekoon,, Stephane Mayer, Aaron Durand, Sean Clark, Elaina Moreau, Erica Iris

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Rocking Horse Winner

Tapestry Opera’s upcoming show is a new opera based on DH Lawrence’s short story Rocking Horse Winner.  The music is by Gareth Williams and the libretto by Anna Chatterton.  It’s co-commissioned with Scottish Opera but this time, unlike The Devil Inside, seen earlier this season, it’s a Canadian production with a Canadian cast.  I spoke with director Michael Mori and librettist Anna Chatterton to find out what it was all about.

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Exciting 2015/16 season from Tapestry Opera

Michael-ADphoto1-e1420089983184-209x300The competition to be the most interesting and innovative indie opera company in Toronto is fierce and Tapestry Opera’s season announcement definitely places them as one of the leading contenders.  As well as the usual interesting line up of workshops etc there are two brand new fully staged works and a collaboration with a punk band.  Details under the cut.

This year’s Tap:Ex is titled Metallurgy and features experimental punk band Fucked Up together with COC regulars Krisztina Szabó and David Pomeroy.  This one runs November 19th to 21st at the Ernest Balmer Studio.  Details here.

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