Mercadante’s I due Figaro(1) is one of a number of operas that continue the story of Figaro, Almaviva etc into a third instalment. It sets a libretto by Felice Romani based on Les deux Figaro by Honoré-Antoine Richaud Martelly. It premiered in Madrid in 1835 but was lost for many years before being rediscovered in 2009 and given at the 2011 Ravenna Festival. Yesterday in got its Canadian premier at VOICEBOX:Opera in Concert.
I didn’t actually see anything much in the Luminato line up that got my juices flowing but my attention has now been drawn to CHARLOTTE: A Tri-Coloured Play with Music. It’s a Singspiel about a young female Jewish artist struggling with her identity and art during the early 1940s. She ends up in Auschwitz. You get the picture. The title role is being played by Adanya Dunn and the musical director is Peter Tiefenbach which, frankly, are reasons enough to go see it. It plays June 16th to 18th at the Theatre Centre on Queen Street West. More details here.
On a completely different tack, Jane Cooper is trying to raise funds to publish her biography of Bertha Crawford, a Canadian soprano who enjoyed a very successful operatic career in Poland and Russia in the early 20th century but who has been largely forgotten. You can find out more at Jane’s Kickstarter page.
I caught the second and final performance of Isis and Osiris – Gods of Egypt presented by Voicebox:Opera in Concert yesterday. It’s a new piece with a libretto by Sharon Singer and music by Peter-Anthony Togni. It tells the story of mythical ancient Egypt under the rule of sibling consorts Isis and Osiris and there struggle with their brother Seth who embodies violence and chaos. In the process Seth disposes of Osiris in fourteen pieces but Isis manages to gather up all save the phallus. A golden replacement is made, Osiris is revived and the cosmic order restored. It’s quite a promising premise but it never really comes off.