Red blooded Otello

I’m never quite sure what I think about large scale outdoor opera performances but the Macerata Opera festival’s 2016 production of Verdi’s Otello staged in the Arena Sferisterio comes over rather well on video.  It’s a complete contrast with the Salzburg production I reviewed a few days ago.  This is large scale “red in tooth and claw” Verdi.  There is none of the subtlety of the Salzburg performances but it is spectacular and quite exciting.

1.storm

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Traditional Traviata

The 2007 recording of Verdi’s La Traviata from Milan’s Teattro alla Scala is extremely traditional but very satisfying.  Liliana Cavani’s production is set in the mid 19th century with entirely conventional sets and costumes (with the obligatory cleavage) and nothing in the direction that adds up to an original concept or idea.  Act 1 is set in a glitzy ballroom.  Act 2 scene 1 takes us to a slightly odd sort of country house bedsit with billiard table  In Act 2 scene 2 we are back with the glitz with actual gypsies and bare chested matadors. Act 3 is set in a suitably dark invalid’s bedroom.  Angela Gheorghiu’s Violetta goes from ballgown to nightdress to ballgown to nightdress while maintaining Ange levels of, you guessed it, cleavage.  The guys are all in evening dress or operetta dress uniforms.  It’s all pretty and doesn’t distract from the music.
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