The Royal Conservatory has just announced its Koerner Hall line up for the 2017/18 season. There are 23 classical and 6 jazz concerts. This doesn’t include the Glenn Gould School or concerts in the RCM’s other halls. Highlights from a vocal point of view are as follows:
November 10th 2017 at 8pm: Barbara Hannigan with Reinbert de Leeuw in a mainly Second Vienna School programme. Not to be missed if that’s your thing and it’s certainly mine.
February 14th 2018 at 8pm: Ian Bostridge with Julius Drake in an all Schubert programme.
April 6th 2018 at 8pm: Bernstein@100; a tribute to Lenny featuring, among others, Wallis Giunta.
April 22nd 2018 at 3pm: Gerald Finley with Julius Drake in a varied program of art and folk songs.
April 27th 2018 at 8pm: The Amici Ensemble with Isabel Bayrakdarian and the winners of the GGS chamber music competition. The vocal part of the programme is all Bernstein.
May 10th 2018 at 8pm: Not typical Opera Ramblings fare but worth a mention; Jodi Sarvall, Hespèrion XXI and Galician pipes specialist Carlos Núñez in a program of pipe music from around the western fringes of Europe.
It’s that time of year when it’s traditional to do best of the year lists. Fortunately this is all about music because in most other respects 2016 was a bit of a horror show. So here goes. As far as opera proper was concerned it was a pretty good year. There were no real howlers in the COC’s season. It was solid and, at its best, better than that, For me, Ariodante was the standout; an intelligent, thought provoking production backed up by extremely good acting and singing. I was really expecting to like the Claus Guth Marriage of Figaro more than I did. I enjoyed it but I was a bit perplexed by the lightening up that had taken place since Salzburg in 2006. Opera Atelier had their best show in quite a while with Lucio Silla but even Wallis Giunta couldn’t save a misconceived Dido and Aeneas.
Opera Atelier’s production of (mostly) Purcell’s Dido and Aeneas opened last night at the Elgin. I say “(mostly) Purcell” because director Marshall Pynkowski had decided to add a Prologue. As he explained in his introductory remarks nobody reads Virgil’s Aeneid anymore so it was necessary to play out the back story in a prologue. I find this pretty patronising. It’s not a particularly convoluted story and I would have thought that the gist of the story is well enough known to most opera goers and, you know, some of us have read the Aeneid. Besides, even without detailed knowledge of the back story there’s nothing remotely hard to understand. FWIW the dumbing down carried over into the surtitles with, for example, “Anchises” rendered as “his father”. Anyway we got a prologue spoken by Irene Poole while the orchestra played other Purcell airs followed by a bit of extraneous ballet and poor Chris Enns (Aeneas) and Wallis Giunta (Dido) running around making the stock baroque “woe is me” gesture. I guess it made the piece (plus Marshall’s speech) long enough to justify an intermission, which was taken after what is usually Act 2 Scene 1, but the prologue was neither necessary nor welcome and I think the ensuing intermission was an unnecessary break in the flow of the action.
There’s a lot on today. Handel’s Ariodante opens at the COC at 2.30pm. There’s also a concert featuring Russell Braun with the Amici Ensemble at 3pm in the Mazzoleni Concert Hall at the Conservatory. The Elmer Iseler Singers and the Toronto Mendelssohn Choir also have concerts. Thursday sees the opening of Purcell’s Dido and Aeneas at Opera Atelier with Wallis Giunta and Chris Enns as the lovers which promises both eye and ear candy. That’s at the Elgin at 7.30pm. Then on Saturday there’s Singing Stars of Tomorrow, the result of a Sondra Radvanovsky intensive, at the Alliance Française at 7.30 pm. The line up is Valerie Belanger,soprano; Stephanie De Ciantis, soprano; Natalya Gennadi, soprano; Beth Hagerman, soprano; Jessica Scarlato, soprano; Sara Schabas, soprano; Caitlin Wood, soprano; Danielle MacMillan, mezzo-soprano; Marjorie Maltais, mezzo-soprano; Asitha Tennekoon, tenor. Quite a mix, from people I’ve never heard of to one who has already made her COC debut.
In other news, the COC and Show One Productions have announced a gala concert to take place at the Four Seasons Centre on April 25th next year. It’s billed (modestly) as Trio Magnifico: The Ultimate Opera Gala and the big draw is the Canadian debut of Anna Netrebko. She will appear with her husband tenor Yusif Eyazov and baritone Dmitri Hvorostovsky. They will be accompanied by the COC Orchestra conducted by Jader Bignamini. Given that Dima alone turned Koerner Hall into a frenzy of screaming Russian grannies, this could get interesting.
This concert was the culmination of several days of workshops involving Wallis Giunta, Jordan de Souza and eighteen emerging artists; both singers and pianists. It’s a comparatively unusual opportunity to focus on contemporary repertoire for a while and the results were fun. As usual with these multi-participant efforts I’m not going to attempt to be exhaustive but just concentrate on my personal highlights.
There are a number of interesting concerts and performances this week. Tuesday sees the graduate students of the UoT Opera Division in cabaret at the Tranzac Club. It’s at 7.30pm and it’s free. The beer at the Tranzac is better than it used to be so should be a decent night out and if you don’t like it the NAGS are performing in the other room, alas without Neil Sorbie. Earlier in the day there’s a noon hour concert in the RBA featuring Bob Pomakov and the Gryphon Trio (also free). The program features works by Mozart and Heather Schmidt.
Opera Atelier has announced its 2016/17 season. The fall production will be Purcell’s Dido and Aeneas. It isn’t clear whether this is a new production or a revival. The company has done the piece before; at the MacMillan Theatre in 1989 and 1994, in 2005 at the Elgin and in sundry tour venues. It’s not paired with anything so it’s either a very short show or there is a lot of interpolated dance. Wallis Giunta and Chris Enns play the lovers with a supporting cast that includes Meghan Lindsay, Laura Pudwell, Ellen McAteer, Karine White and Cory Knight. Nice to see Karine getting a chance on a professional stage. There are six shows at the Elgin between October 20 and 29, 2016.