The 2014 recording of Verdi’s La forza del destino from the Bayerischen Staatsoper has the kind of cast one hardly dares dream of. The elusive Anja Harteros sings Leonora with the almost equally hard to catch Jonas Kaufmann as Alvaro. Chucking in Ludovic Tézier as Don Carlo and Vitalij Kowaljow doubling the Marchese and Padre Guardiano only improves matters and the rest of the cast is very good indeed. It was pretty much sure to be a winner and it is.
Mozart’s Die Entführung aus dem Serail is a problematic opera. It’s got some great music but the libretto is pretty weak and its depiction of Turks is pretty unflattering. Maybe it seemed edgy less than a hundred years after the Ottomans besieged Vienna but today it just seems mildly embarrassing. Fortunately it’s a singspiel with dialogue rather than opera with recitatives so it’s fairly easy to play with the story line. For his 1998 production Stuttgart at the Staatsoper Stuttgart, Hans Neuenfels goes much further. He double each of the singers with an actor and pretty much rewrites the dialogue. He also introduces an element of metatheatre. This is a performance and everyone knows it. For example when Pedrillo is asked how he’s going to get hold of a ladder for the escape scene he replies that he’ll use the one they always use in this opera.