All the Schoenberg

calfThere was a sort of mini Schoenberg Fest at the TIFF Lightbox yesterday.  First up we got Topher Mokrzewski and Adanya Dunn with Claude Vivier’s Hymnen an die Nacht and five pieces from Schoenberg’s Pierrot Lunaire.  The Vivier was a very apt choice; a piece of CanCon in the spirit of the Schoenberg.  Topher may not like Schoenberg but he certain;y knows how to play it and Adanya, in my opinion, is at her considerable best in music of this type.  Good start.

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Coming up

Here’s a round up of upcoming performances of interest over the next week or so.  Sunday at 3.15pm TIFF are showing Jean-Marie Straub and Danièle Huillet’s films Introduction to Arnold Schoenberg’s “Accompaniment to a Cinematographic Scene” and Moses and Aaron.  The films will be preceded by a live performance of a Schoenberg piece by Adanya Dunn and Topher Mokrzewski.  More details here.

Moses_et_Aaron_3_

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Do not expect the form before the ideal

headThat headline is pretty typical of the English translation of the libretto of Schoenberg’s Aron und Moses.  “Holy is genital power” is another gem.  The whole thing is basically an extended debate about the nature of God with Moses arguing for an extreme degree of abstraction and Aron championing a more populist version that “the people” can relate to.  There are ideas in there that could probably be staged quite spectacularly, such as the Golden Calf scenes and a spot of human sacrifice.  There’s even a fairly decent opportunity for an orgy.  In their 1975 film Daniele Huillet and Jean-Marie Straub reject any opportunity for visual excess or even representation almost as rigidly as Moses himself.

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