In reviewing Against the Grain’s staged version of Handel’s Messiah I alluded to having had some thoughts about staging Messiah. That’s because, although I realised that the AtG production was quite excellent it was also making me a bit uncomfortable and I needed to think through why that was. I also wanted to think about in relation to a very different approach to staging the piece; that taken by Claus Guth at the Theater an der Wien in 2009. There also seems to be a fashion for this sort of thing emerging with a St. Matthew Passion, also in Vienna, and the TSO about to stage Mozart’s Requiem. What can we say about staging a work that was never intended to be staged and doesn’t even tell a story as Handel’ other oratorios do? Some of the thoughts that follow might apply to staging any non-narrative religious text but most will be very specific to Handel’s Messiah and specifically rooted in the text selection by Charles Jennens.