CCOC 2017/18

monkiestThe Canadian Children’s Opera Company have announced their 50th anniversary season.  The big news is that the main production will be a new piece by Alice Ping Yee Ho and Marjorie Chan (the team behind The Lesson of Da Ji).  The new piece is called The Monkiest King and is based on the legendary (and comic book) character the Monkey King.  Like the earlier work it will fuse western opera and traditional Chinese music techniques and instruments.  It will play at the Lyric Theatre at the Toronto Centre for the Arts May 25-27 2018.

There is also going to be a celebratory concert hosted by Ben Heppner on October 26 2017 at the Four Seasons Centre.  Besides performances by the current CCOC there will be appearances from Richard Margison, Krisztina Szabó, Simone Osborne and Andrew Haji and a choir of CCOC alumni.

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The Telephone and The Medium

UoT Opera’s fall production opened last night at the MacMillan theatre.  It’s a double bill of Menotti works; The Telephone and The Medium.  The former was cleverly updated by Michael Patrick Albano to reflect the age of the smartphone.  It actually seems more relevant than ever and, slight as it is – an extended joke about a girl who won’t get off the phone long enough for her fiancé to propose – it was wryly amusing. The Medium I’m not so sure about.  It’s a contrived piece written in the 1940’s but set a few years earlier about a fake medium and her deluded clients.  It seems dated, not so much in the sense that seance attendance is pretty unusual today, but in the extent to which the characters are clichéd, cardboard cut outs even.  The medium herself is bad enough but her sidekicks are her rather dippy, if kind, daughter and a boy who is mute (k’ching), Gypsy (k’ching) and “found wandering the streets” (k’ching, k’ching) “of Budapest” (k’ching, k’ching, k’ching).  The first act in which the fake seancery goes on isn’t bad but then the medium gets a shock; a real or imagined cold hand on her throat (probably imagined as she is a raging alcoholic) and decides to go straight.  The second act is pure bathos.  I can see why it was a Broadway hit in the 1940s but I think tastes have moved on.  And who the heck calls their daughter “Doodly”?

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More upcoming shows; old and new

The Ontario Philharmonic and Richard Margison are doing a show of Italian opera “greatest hits”.  There are two shows; December 10th at Koerner Hall and the Regent Theatre, Oshawa on December 7th.  Full details.

Up in Montreal a new outfit, Stu and Jess Productions, are doing Menotti’s The Medium with a cast drawn from current McGill graduate students.  That runs from November 7th to 9th in a converted church in Verdun.  Full details

Last, but not least, the Glenn Gould School annual production at Koerner Hall has been announced.  It’s The Cunning Little Vixen by Janáček and it plays at Koerner Hall on March 19th and 21st.  I’m interested to see how they handle the dance elements.  More details.