Jonas Kaufmann made a double role debut as Turiddu and Canio in the classic verismo double bill of Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci at the Salzbur gEaster Festival in 2015, The productions were directed by Philipp Stölzl and Christian Thielemann conducted with the Staatskapelle Dresden in the pit.
Verdi’s Macbeth is one of those early works where he seems to be trying to grow out of bel canto but not quite making it. There is some splendidly dramatic music and some that just seems completely incongruous given the subject matter. The witches’ chorus at the beginning of Act 3 is a case in point. That said Phyllida Lloyd’s production for the Royal Opera House takes the piece seriously and does a pretty good job of presenting the drama in a straightforward but visually attractive way.