Zu viel Gluck

The first time I saw a DVD recording of Gluck’s Alceste I put my reaction of utter tedium down to Robert Wilson’s highly stylized and static production.  This time I looked at a production, recorded at Staatsoper Stuttgart in 2006, by Jossi Wieler and Sergio Marabito, who did a rather good job on the rather dreary La Somnambula, expecting rather more.  Actually I think they have some good ideas but they can’t obscure the fact that this is basically a very dull opera.

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Making sense of La Sonnambula

I’m not a huge bel canto fan so it’s probably no surprise that I had, previous to this DVD, only seen Bellini’s La sonnambula once.  That was in Mary Zimmermann’s messy production at the Met which had left me with the impression that it was a rather feeble comedy with formulaic music and not much improved by Zimmermann’s attempts to sex it up.  I did wonder if it might be improved by the full on Regie treatment and so I was quite happy to have a chance to see the DVD of Jossi Wieler and Sergio Morabito’s 2013 Stuttgart production, especially as it had played to significant critical acclaim and won a bunch of awards.  I was surprised and impressed.  Far from being a cavalcade of extraneous elements (the usual charge levelled at Regie), this production probed the libretto and the source materials in a highly intelligent way to produce something really rather moving.  The music is still what it is; tuneful, well crafted but hardly deep, but there you go.

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Kennedy era Un ballo in maschera works on many levels

The Canadian Opera Company’s new production of Verdi’s Un ballo in maschera is based on an intriguing concept that adds insight in many places but comes a bit unstuck in others.  Coupled to some superb performances, it makes for an enjoyable and intriguing night at the theatre that will have the more adventurous busily and happily dissecting the piece for hours and the die hards reaching for their Zeffirelli pills.

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