The latest issue of Opera Canada arrived in my mailbox yesterday. It’s the first issue produced by Gianmarco Segato as editor and there are a few noticeable changes. The general structure and look is the same but there are some new bylines. I noticed Sara Schabas has a rather good piece on Marie Clements. I’d bet a fiver that Sara is the youngest contributor to the mag in a while. There’s also an article by Dean Burry on the Canadian Children’s Opera Company tour of Brundibár to the Czech Republic, Poland and Hungary including a trip to Terezín. The obituaries include, sadly, Émile Belcourt who I saw sing Loge at ENO back in the 70s in the memorable run of The Rhinegold conducted by Reginald Goodall.
There’s lots more including my contributions; a piece profiling Marion Newman, plus reviews of a live performance, a CD and a DVD. And finally, there’s mention that Alexander Neef saw Gerry Finley in Reimann’s Lear in Salzburg. He couldn’t could he? No he couldn’t. Does to dunk head in cold water…
Opera Canada magazine, to which I’m a contributor, has a new Editorial Director. Gianmarco Segato, formerly with the COC, is taking over from Wayne Gooding who has been doing the job for an amazing 20 years. I think it’s a great choice. Anyhow, one of the goals going forward for OC is to build it’s on-line presence. That’s a long term project but there are things on social media that one can check out already. They are:
Check them out.
The Fall 2015 Opera Canada is out. No performance reviews by me in this one but I do have a profile of countertenor Daniel Cabena and reviews of three CDs; Adrianne Pieczonka singing Wagner and Strauss, Bud Roach singing Italian renaissance songs accompanying himself on guitar and a rerelease of Peter Maxwell Davies’ Resurrection. Lots of good stuff by other people too of course!
The latest edition of Opera Canada is out and I have an article in it. This is not exactly my first foray into print but it is the first time I’ve published anything about opera. (Previous articles have appeared in various political and business journals and the current WIP is aimed at the Journal of Oncology Practice). Anyway, my piece is a review of a semi-staged performance of Handel’s Orlando. The real reason to buy the thing though is Lydia Perović’s (She of Definitely the Opera) article on the Canadian Opera Company Orchestra.
Click on the thumbnail for my article.