Last night was the one of only two chances to see Bicycle Opera Project in Toronto this year. (The other is tonight). It was a show in collaboration with Toy Piano Composers’ Collective called Travelogue and featuring four new works around the broad them of travel. The show was run without an interval but with each composer introducing their own work by reading, e.g., post cards from their travels or, hilariously, in the case of the absent Tobin Stokes, recordings of the voicemails he left apologising for not having finished the piece yet. Staging was, in the BOP way, minimalist but effective.
The Talisker Players’ latest show is pretty typical of what they do best; partner with some excellent singers and an actor to create an interesting program of words and music on a given theme. Last night, as the title suggests, the theme was classical mythology; a rich enough seam for almost anything! Most of the musical works chosen were twentieth century or later with only excerpts from a Pergolesi cantata harking back to an era that drew more heavily on these sources.
The first piece was Alan Hovhaness’ Hercules for soprano and violin performed by Carla Huhtanen and Elizabeth Loewen Andrews. This was so very Hovhaness; haunting, disturbing and very beautiful. It seems as rooted in the pre-classical world as the Heroic Age but perhaps that’s just a kind of timelessness. It’s a perfect fit for Carla and the violin playing was beautiful too.
Last night we attended a concert in the relatively new performance space at the Canadian Music Centre. It’s a very pleasant room, set up for recording, and seating maybe 50. The program consisted of four recent works by Canadian composers; three short opera scenes for soprano and piano and a piano piece.