Three Bats on a Chest of Drawers

Opera 5’s interactive production of Johann Strauss II’s Die Fledermaus opened last night in the Great Hall at 918 Bathurst.  It’s an intriguing but, above all, fun show.  I think it’s fair to say that presented straight Die Fledermaus has more than a few elements of meta-theatricality.  Here it’s central to the plot from MC Pearle Harbour’s initial apology for the lack of a fourth wall because “we can’t afford one” through a whole series of “interventions” by various characters.  Unpacking it all would probably make as much sense as Umberto Eco’s Three Owls on a Chest of Drawers and I’m not as clever as the late Professor Eco and, in best Fledermaus tradition, it’s the morning after and I’ve only had five hours sleep.  So, I’ll avoid the meta and try and describe the show.

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Opera 5 do Hahn and Offenbach

Opera 5’s latest show presents two rarely seen French one act operas.  First up was Reynaldo Hahn’s  1897 work L’île du rêve.  It’s one of those French officer falls in love with beautiful sixteen year old girl on tropical island and then “duty” calls and he dumps her and she dies of a broken heart pieces.  The only twist is that here he offers to take her back to France but the ruling princess advises her that, away from the island, she will lose her charms and he’ll come to despise her so she doesn’t.  A touch of French worldliness colouring this rather overdone plot device perhaps?  The staging, by Aria Umezawa, is fairly simple though clearly a lot of thought went into how to make the intimate scenes between the principals work.  There are also some rather beautiful projections involved.

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And so it begins

teiyaSo, after the rather scattered events of the summer last night’s fundraiser for Opera 5 at Atelier Rosemarie Umetsu felt like the start of a new season.  It was well attended and organised in an intriguing and fun format.  Basically, Team Day and Team Night were competing to see who could raise the most money.  There were four rounds in which a singer from each team presented an aria, song or MT number.  The one with the most pledges got to sing his or her “show off” aria.  For an additional donation, the loser got to do the same.  Given that some of the city’s best young singers were performing it was to be expected that it was a good show.

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