Musica e parole

Yesterday’s lunchtime recital at Walter Hall was a collaboration between the Faculty of Music and the Department of Italian studies and explored the links between the source texts for various Italian operas and arias drawn from them.  So each aria was paired with a reading (by Paolo Frascà and Sara Galli) plus an introduction on the literary context by Sara Maida-Nicol who curated the program.  It was an interesting idea that turned out to be rather enjoyable.  Plus, none of the singers had appeared in Tuesday’s show so it was a chance to take a look at a less familiar bunch.

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Drink! Drink! Drink!

jennifertOddly enough, what Toronto Operetta Theatre does best is operetta and the production of Romberg’s The Student Prince that opened yesterday afternoon is a pretty good example of why.  I suppose, technically, that it’s a Broadway musical but everything about it, down to the humour and sentimentality seems Teutonic enough.  Anyway, there’s a solid trio in the lead roles, the key back ups are thoroughly professional and the minor roles and chorus are filled out by talented and enthusiastic young singers.  The band is big enough to cover all the colours of the score and the staging is appropriate and not overly ambitious.  The piece gets to do its tuneful, rather bittersweet thing.

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Russia Cast Adrift

The opening concert of Off Centre Music Salon’s season was a programme of Russian romantic and post romantic works, songs and piano pieces, entitled Russia Cast Adrift.  The first half of the afternoon was devoted to the sort of songs that explain why “smert” is one of about six Russian words that I recognize.  It kicked off with a Rachmaninoff prelude played with vigour by William Leathers before going into a series of songs by Sviridov, Rachmaninoff, Tchaikovsky, Glière, Arensky and Mussorgsky.  The singing was shared by soprano Nathalie Paulin, mezzo Emilia Boteva, tenor Ernesto Ramirez and baritone Geoffrey Sirett with Boris Zarankin and Inna Perkis at the piano.

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More details from Toronto Operetta Theatre

Charlotte-Knight_Soprano_Headshot_2014-(1)Subscriptions are now on sale for Toronto Operetta Theatre.  The line up has changed from the original spring announcement.  There are still three shows but the run of Candide previously announced has been replaced with a single concert performance, with piano accompaniment of Gilbert and Sullivan’s HMS Pinafore.  It’s at 3pm on November 1st.  The main attraction (pun absolutely intended) is probably Greg Finney as Sir Joseph Porter KCB.  There’s also Charlotte Knight as Josephine.

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Hunchback Hoffmann

Giancarlo del Monaco’s production of Offenbach’s Les Contes d’Hoffmann recorded in Bilbao in 2006 isn’t nearly as weird as the interviews on the first disk might lead one to expect.  It has its moments but in many ways is more “by the book” than the Laurent Pelly production I looked at last week.  The interviews talk of a “Sartrian” Hoffmann and a Freudian approach to Antonia.  Ok so Hoffmann is portrayed as a hunchback and he’s fairly damaged but he’s basically your standard drunk poet fixated on a woman or women he can’t have.  I can’t actually see this dude nailing his hand to a nightclub table with a knife or drowning his cat to prove a point.

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Upcoming events

127-recitals-at-rosedale-2014-2015This Sunday sees the first of the season for Recitals at Rosedale.  Entitled A Walk on the Dark Side: Myths, Legends and Fairy Tales, it will feature soprano Leslie Ann Bradley, mezzo soprano Allyson McHardy and baritone Geoff Sirett with pianists Robert Kortgaard and Rachel Andrist. The programme features works by Mahler, Debussy, Symanowski, Weil, Gershwin and more.  It’s on November 9th at 2.30 pm at Rosedale Presbyterian Church and tickets are available here.

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Lend me a tenor

ramirezThe saga of “Where in the world is Roberto Devereux?” at the COC continues.  Originally Giuseppe Filianoti was slated to sing the title role in the seven show run that began April 25th.  At some point, some while ago, it was announced that Leonardo Capalbo would sing the first three performances; which he did to some acclaim.  During the week the rumour mill started grinding with news that cover Edgar Ernesto Ramírez would sing tomorrow night’s show and, a bit later, that Filianoti was out completely.  All this has now been confirmed.  Mexican born Toronto resident Ramirez will sing tomorrow and then Spanish tenor José Bros will complete the run (or at least that’s the plan).  It’s a great break for Ramírez and we wish him luck.