Three Portraits (music: Kieren MacMillan, words: Dana Giola) got his premiere performance yesterday in the RBA. The performers were the Haven Trio (Lindsay Kesselman, soprano; Kimberly Cole Luevano, clarinet; Midori Koga, piano). I have to be honest this just isn’t my kind of piece. The texts are quite interesting but most of the the setting is in that sort of Neo-Broadway flirts with Minimalism space that so much of the vocal music I get sent from the US lies in. To be fair, the third song; The Country Wife got a rather more sophisticated treatment but still very much in the same sound universe. The performance was very decent though and it was a clever move to use the staircase in the RBA to match the words of the first song.
Yesterday’s free concert in the RBA featured four members of the Ensemble Studio. Megan Quick and Stéphane Mayer gave us Mahler’s Lieder eines fahrenden Gesellen followed by Sam Pickett and Rachel Kerr with Wagner’s Wesendonck Lieder. The first set was interesting in that I was so engrossed by Stéphane’s playing that at times I almost drifted away from the singing. He really is a bit remarkable. Few collaborative pianists have that effect. Megan continues to develop as a singer. She has a big, dark mezzo that’s actually so operatic I’m not sure it’s heard to best advantage in lieder with piano accompaniment. Still, she’s developing interpretive skills and her German diction has improved out of all recognition in the past eighteen months. It’s now very good. She took the first song, Wenn mein Schatz Hochzeit, really slowly but had the control to pull it off and there was some real lyricism in Die zwei blauen Augen von meinem Schatz.
Yesterday lunchtime in the RBA soprano Lauren Eberwein and the Rosebud String Quartet (Sheila Jaffé, Aaron Schwebel, Keith Hamm and Rachel Desoer) entertained us with a program of Haydn and Schoenberg. First up was an arrangement of Haydn’s Arianna a Naxos. We got the recitative, Teseo mio ben, and the two arias, Dove sei and Ah! che morir vorrei. It’s basically a cantata with tessitura that sits very nicely for Lauren’s voice. It was an elegant performance all round with some passion in the concluding aria. And it’s always good to hear a Haydn vocal work.
So coming up in the next week or so…
On Monday LooseTEA have another Whose Opera is it Anyway? show. It’s at 9.30pm at Comedy Bar, 945 Bloor West. Alaina Viau directs with hosting by Greg Finney, Natasha Fransblow at the piano and Jeff Boyd, Amanda Cogan, Adanya Dunn, Gillian Grossman, Rachel Krehm, Jonathan MacArthur, Erin Stone, and Lindsay Sutherland Boal doing silly things.
On Tuesday Lauren Eberwein and the Rosebud Quartet have a noon time concert in the RBA including the fascinating and very difficult Schoenberg String Quartet No.2. Barbara Hannigan was the last person to do that in the RBA so no pressure.
Wednesday evening is Centre Stage, the COC’s Gala/Singing Competition/Audition for the Ensemble Studio. Things kick off with booze and snacks at 5pm. It’s at the Four Seasons Centre of course.
Thursday, UoT Opera are previewing their Don Giovanni in a free concert at 12.10pm in Walter Hall. Later, at 9pm, it’s AtG’s Opera Pub Night at the Amsterdam Bicycling Club.
In the continuing runs department, Arabella closes out tomorrow at the COC but The Elixir of Love runs through the 4th. Soundstreams’ Müsik für das Ende, which opens tonight, runs all week at Crow’s Theatre and Opera Atelier’s The Marriage of Figaro also runs through the 4th.
Yesterday’s lunchtime concert was my second chance in just over a week to see Erin Wall in recital, in a completely different program from the Mazzoleni gig. There were three sets. First up were Korngold’s Three Songs Op.22. I’m all for more German songs in recitals, especially someone other than the Schus, but I wasn’t really taken with these. They seem closer to the later film music in style than to, say Die tote Stadt. They got the operatic treatment from Erin which is probably not a bad thing here.
Yesterday’s free lunchtime concert should have been the first opportunity to see Simone Osborne and Gordon Bintner in recital together but, sadly, Gordon had the lurgy so, if you want to see them perform together you will just have to go and see L’elisir d’amore at the COC. Fortunately Andrew Haji was able to jump in at short notice. Not such a bad guy to have on the bench!
Andrew started out with Santoliquido’s I canti della sera. I had heard him sing these before at Mazzoleni but it was good to hear them again. Genuine Italian art song isn’t all that common and these show the voice off nicely. There was both some lovely limpid singing and plenty of power when needed. He’s a pretty good story teller too. He also gave us the three Duparc songs that he and Liz Upchurch, once again at the piano, gave us earlier in the year. Again the standout was Le manoir de Rosemonde, a most beautiful and haunting song given the full treatment here.
It’s a bit of a crazy week coming up. On Monday at 8pm there’s the first in a series of young artists concerts presented by Atelier Rosemarie Umetsu and Yamaha Canada. This one features pianist Cindy Liu in an all Prokofiev program. It’s at Rosemarie’s atelier at 310 Davenport Road and tickets are $20 ($10 student).
Tuesday is a double header with Erin Wall performing at noon in the RBA in a program of Korngold, Debussy and Duparc. Then at 5.30pm at the Canadian Music Centre there’s a CD launch concert for Sing Me at Midnight; the latest recording from CASP featuring songs by John Greer. Both these events are free.