Yesterday’s free lunchtime concert should have been the first opportunity to see Simone Osborne and Gordon Bintner in recital together but, sadly, Gordon had the lurgy so, if you want to see them perform together you will just have to go and see L’elisir d’amore at the COC. Fortunately Andrew Haji was able to jump in at short notice. Not such a bad guy to have on the bench!
Andrew started out with Santoliquido’s I canti della sera. I had heard him sing these before at Mazzoleni but it was good to hear them again. Genuine Italian art song isn’t all that common and these show the voice off nicely. There was both some lovely limpid singing and plenty of power when needed. He’s a pretty good story teller too. He also gave us the three Duparc songs that he and Liz Upchurch, once again at the piano, gave us earlier in the year. Again the standout was Le manoir de Rosemonde, a most beautiful and haunting song given the full treatment here.
Yesterday afternoon’s Mazzoleni Songmasters concert featured local tenor Andrew Haji and Welsh baritone Jason Howard in a program somewhat loosely linked to England. Neither singer was, I think, 100% well (Haji’s cold was announced, Howrad’s merely obvious!) but both battled through manfully and gave us some fine singing. There were some interesting contrasts especially in the first half of the program. Andrew kicked off with Francesco Santoliquido’s I canti della sera. I’m no expert on Italian art song but these did sound like songs rather than opera arias, at least in the hands of Andrew and Rachel Andrist. In contrast, Jason’s set (Tosti’s L’ultima canzone, Respighi’s Nebbie, Tosti’s L’ideale and Verdi’s In solitaria stanza), with Robert Kortgaard sounded distinctly operatic and suited Jason’s darkish voice rather well.