The Killing Flower

hqdefaultThe Killing Flower is an opera by Salvatore Sciarrino.  Both Italian and English versions exist and it was the latter that was given, in semistaged form, at Walter Hall as part of the Toronto New Music Festival last night.  It’s a very distinctive work and not easy to form a full appreciation of on a single hearing.  The plot is straightforward enough.  There’s a duke and duchess.  She falls in love with a guest.  They are betrayed by a servant.  He kills the guest and then her.  But all this happens in a highly abstracted way (made even more abstract by not being fully staged).  As the composer puts it:

My theatre is ‘post cinema’ theatre, beginning with the way the scenes are laid out – they proceed by dry blocks that ‘subtract’ in order to get the point across.

Got that?  Nor me but what I saw was a succession of scenes in which two characters exchanged fragments of text repeated multiple times.  This was actually quite useful as there were no surtitles and it made it easier to grasp what the (very few) words actually were.

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Getting busier

We are moving into busy season for the next two or three weeks.  Next week, Tuesday sees a lunchtime recital in the RBA by Phillip Addis with song cycles by Maurice Ravel and Erik Ross.  Wednesday sees a concert staging of Salvatore Sciarrino’s The Killing Flower (Luci mie traditrici).  It tells the story of Carlos Gesualdo’s murder of his wife and lover.  Performers include Shannon Mercer, Geoffrey Sirett, Scott Belluz and Keith Klassen.  It’s at Walter Hall at 7.30pm with a pre-show with the composer at 6.30pm.  Sciarrino is involved in other events connected with the New Music Festival all week.  Thursday is opening night for the COC’s Götterdämmerung at the Four Seasons Centre with an early kick off time of 6pm.  Alternatively the TSO are doing the Fauré Requiem with Karina Gauvin and Russell Braun on both Wednesday and Thursday evenings.

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Music Theatre Wales’s touring production of The Killing Flower at Buxton Festival. Photograph: Clive Barda

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UoT 2016/17

UoT Faculty of Music have just announced their 2016/17 season.  It’s the usual broad range of performances so I’ll highlight the opera and vocal music contributions.

UoT Opera is offering four shows.  The fall main production is Offenbach’s Orpheus in the Underworld with new English dialogue and stage direction by Michael Patrick Albano.  Choreography i by Anna Theodosakis and Russell Braun makes his podium debut.  There are four performances November 24th to 27th.  Spring sees a Handel rarity; Imeneo.  Tim Albery directs and Daniel Taylor is in charge of the music.  This one runs March 16th to 19th.  Both shows are in the MacMillan Theatre.

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Last year’s student composed opera; The Machine Stops

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