I’ve seen opera in a lot of venues in Toronto, including several pubs, but last night was my first time at the Amsterdam Bicycle Club; the occasion being the first pub night hosted by Against the Grain Theatre. There was a pretty decent crowd and, somewhat to my surprise, a couple of decent beers on tap. There was also singing with Topher Mokrzewski at the keyboard of a piano almost as grotty as the one he made his AtG debut on. Perhaps unsurprisingly the line up was pretty impressive; Clarence Frazer, Stephanie Tritchew, Aaron Durand, Cait Wood and John Brancy plus a bonus drop in by no less than Krisztina Szabó. Rossini, Puccini, Donizetti, Bernstein and others all got a look in. It was loud, it was fun and the audience, not all of whom I suspect knew what they were in for, stayed. Further sessions are planned for the first Thursdays in November and December at the same venue.
The tenth season at the Four Seasons Centre opened with the, by now traditional, lunchtime concert by the COC’s Ensemble Studio. Six of the eight singers and one of the two pianists are new recruits which is unusual and more of a chance to level set than see how anyone has developed.
The Toronto production of Against the Grain’s A Little Too Cozy opened last night at Studio 42 at the CBC Centre. It’s the third and final instalment in the series of Ivany/Mokzrewski adaptations of the Mozart/da Ponte operas, following on from Figaro’s Wedding and #UncleJohn. Like the earlier pieces it’s updated, site specific and makes a lot of references to social media. The schtick here is that it’s a reality TV dating show. Dora and Felicity are yet to meet Elmo and Fernando in the flesh though they have become engaged via social media and through the prior episodes of the show. Tonight is the season finale and there is one big test left. Can they be tempted by two strange men? Show host Donald L. Fonzo and girl handler Despina will make sure they are maximally tempted. The rest you can work out.
Rossini’s rarely performed opera seria Maometto II opened at the Four Seasons Centre last night in a production by David Alden and with substantially the same cast as when it played in Santa Fe on 2012. This is the restored Maometto in the edition prepared by Hans Schellevis in an attempt to get as close to Rossini’s initial Naples score as possible. So, no happy ending and all the complexity of Rossini’s original design.
So the cat’s out of the bag. The long awaited where, when and who of Against the Grain’s Toronto run of A Little Too Cozy have been revealed. A Little Too Cozyis the third and final instalment in a trilogy of Mozart “transladaptations” developed by AtG,which place the works in appropriate, non traditional opera, venues and which use English language librettos by Joel Ivany bringing the stories into a contemporary context. The first two instalments; Figaro’s Wedding and #UncleJohn, sold out their Toronto runs.
Once a season the young artists of the COC’s Ensemble Studio get to perform one of the company’s productions on the main stage of the Four Seasons Centre. Last night it was the Claus Guth production of The Marriage of Figaro. I’ve said enough about the production already here and here so let’s cut to the chase.
Today’s lunchtime concert in the RBA involved members of the cast of the Ensemble Studio performance of Marriage of Figaro in a semi-staged series of excerpts from the opera. The Ensemble Studio annual stage performance is always worth seeing and this year I think it’s going to be a real treat. Highlights today included Gordon Bintner’s Count. The guy can sing but here there was a swagger that should be just perfect for the Guth production. Jacquie Woodley’s Cherubino was utterly brilliant. Aviva Fortunata nailed Porgi amor, so often a disappointment I find. And I really liked Karine Boucher’s Susanna. She’s not always been a favourite of mine but her slightly dark for a soprano tone seemed really well suited to this music and blended especially well with Aviva. Ian MacNeil impressed too as Figaro, though it’s a role that’s a bit downplayed by this production, and I shall be curious to see what he does with it in the full version. Megan Latham, Jean-Philippe Fortier-Lazure and Aaron Sheppard rounded out today’s cast with the indefatigable Hyejin Kwon on piano. If you don’t yet have tickets for the performance on the 22nd I strongly suggest getting some. They are only $22 or $55 for the best seats. As Claire Morley said in her introduction this could be an event that’s talked of for years to come.