Tapestry Songbook is the culmination of New Opera 101; a week long masterclass where young singers get to work with established performers on repertoire from Tapestry’s extensive collection of recent Canadian work. This year the “masters” were Krisztina Szabó, Keith Klassen and Steven Philcox. The week culminates with a series of concerts of :scenes”; some performed by the “masters” and some by the students. As there were fourteen pieces performed and a cast of thousands I’m just going to report on my personal favourites with due apologies to anyone who got left out.
Klassen, Szabó and Philcox kicked things off with the rather disturbing Merk’s Dream; a collaboration from the 2011 LibLab by Nick Carpenter and Elisabeth Mehl Greene. It’s a creepy vignette of a dying man trying to get through, and largely failing, to his developmentally challenged daughter, brilliantly portrayed by Szabó. This was followed by In This World George is Heartbroken; a 2012 LibLab piece by Hannah Moscovitch and Lembit Beecher about various, largely imagined, aspects of a dull middle class marriage. By turns hilarious and violent it featured a really interesting prepared piano accompaniment and featured three of the stars of the evening; Gwenna Fairchild-Taylor, Janaka Welihinda and, new to me, the very impressive Markéta Ornova on piano.