Handel’s Alexander’s Feast

Amanda-Forsythe-Credit-Arielle-DonesonHandel’s Alexander’s Feast is an oratorio to a text by Newburgh Hamilton based closely on an earlier Dryden St. Cecilia’s Day ode.  The basic plot is that Alexander is feasting in captured Persepolis with his mistress Thaïs.  Inflamed by the music of Timotheus he decides to burn down the city in revenge for his fallen soldiers.  Cecilia descends from Heaven and substitutes music for the king’s barbarous intentions.  There are solo and choral numbers and a couple of duets and there are two concerti; one for triple harp representing Timotheus’ lyre playing and an organ concerto for St. Cecilia.  It’s all quite tuneful and interesting if not as inspired as some of the better known oratorios.

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Feast free with Alexander!

So this Thursday (Feb 22nd) at 8pm Tafelmusik are presenting Handel’s Alexander’s Feast at Koerner Hall.  Chances to see Handel oratorios, other than Messiah, don’t come around that often and this one has a very decent line up of soloists; Amanda Forsythe, Alexander Dobson and Thomas Hobbs.  And we have a special giveaway offer.  Tafelmusik have provided a pair of tickets for readers of this blog.  Comment below or email me (j DOT gilks AT rogers DOT com) with contact details and I’ll put your name in the hat.  I’ll announce the winner tomorrow evening.  The winner will be able to pick the tickets up at the box office before the show.  If you can’t make Thursday there are also performances on Friday, Saturday and Sunday but no freebies for those!

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Tafelmusik Baroque Choir – Photo: Sian Richards

Into the back half of February and beyond

eded64_558606377878465db0281238f5aa4ea9Here is what’s coming up.  Valentine’s day sees two vocal recitals.  At noon in the RBA there’s Clare de Sévigné and Rachel Andrist with The Truth about Love; the story of a young woman’s love gone awry.  At 8pm Ian Bostridge has an all Schubert program at Koerner Hall.  Thursday is also busy with members of the Ensemble Studio in a Russian program in the RBA at noon, a Johannes Debus masterclass at UoT at 2pm and Opera Trivia at the Four Seasons Centre at 7pm.  Then on Friday at 7.30pm in Walter Hall there’s a free concert; Vocalini, from the undergrads of the UoT Opera.  Also Thursday and Friday MYOpera have a couple of opportunities to see emerging artists.  There’s a public masterclass with Philip Morehead at 6pm Thursday at the Edward Jackman Centre and a concert at 7.30pm Friday at the Vandenberg House.

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Opera Atelier 2018/19 season

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Measha Brueggergosman.
Photo by Bruce Zinger.

Opera Atelier have announced their 2018/19 season.  As usual, there are two shows.  In the Fall there is a double bill of Charpentier’s Actéon paired with Rameau’s Pygmalion (Oct. 25 – Nov. 3, 2018).  Colin Ainsworth, who has also been named as OA’s first “artist in residence”, features in both title roles with Mireille Asselin as Diana and Amour and Allyson McHardy as Juno and Céphise.  The supporting cast includes Jesse Blumberg, Christopher Enns, Meghan Lindsay, Cynthia Smithers and Anna Sharpe. Pygmalion will be prefaced by Opera Atelier’s first Canadian commission for solo baroque violin and contemporary dancing, entitled Inception.  It will be performed by composer/violinist Edwin Huizinga and choreographer/Artist of Atelier Ballet, Tyler Gledhill. Following its Toronto dates, the show will tour to the Royal Opera House in Versailles.

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Into December

reindeer-musical-28149293After the madness of November, December is much quieter.  Messiahs aside there are only a handful of events of note.  On Saturday at 7.30pm at Runnymede United Church the Cantores Celestes Women’s Choir have a concert of seasonal music which includes Kim André Arnesen’s Magnificat with Adanya Dunn as soloist.  On Tuesday 5th the noon recital in the RBA features Simone McIntosh and Stéphane Mayer.  The program hasn’t been published yet but I’m told it includes the Berg Seven Early Songs and a number of songs by Frank Bridge.  On Thursday evening at 9pm it’s Opera Pub Night at the Amsterdam Bicycle Club.  The theme is Messiah Pariah.  You have been warned.  The operatic event of the month is Against the Grain Theatre’s Bound.  This uses a mash-up of Handel’s music to explore issues related to the current worldwide refugee crisis.  It plays December 14th, 15th and 16th at the COC’s Jackman Studio.  As of now, it’s sold out except for the final 9pm performance on the 16th.  Toronto Consort have a Spanish themed Christmas show Navidad, featuring motets by Victoria and Guerrero plus villancicos and dances from Latin America.  This one is on December 8th and 9th at 8pm and 10th at 3.30pm.  Trinity St. Paul’s of course.  Also this weekend, more performances of Tapestry Briefs: Winter Shorts (see last post).

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Four marriages and a Figaro

Opera Atelier’s remount of Mozart’s The Marriage of Figaro opened last night at the Elgin.  It’s a curious production made up of parts that don’t really fit together, hence the review title.  At the core is a rather elegant traditional production.  It’s wigs and crinolines and might have been seen almost anywhere almost any time in the last fifty years or so.  Most of the excessive baroque gesturing is gone and the acting is stagey but no more so than in many opera productions.

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Hausmusik

Hausmusik is Tafelmusik’s less formal concert series.  It’s not exactly a concert; more an “event”.  Last night director Alaina Viau mixed music (woodwind trio, harpsichord, soprano (Ellen McAteer) and electronics from SlowPitchSound) with film projections by Darren Bryant and dance by Libydo to create quite a varied series of effects but all, musically, (just about) within the range one would expect from Tafelmusik.

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