Usually this is when things start to quieten down. Not so much this year. On the opera front it does go a bit flat though Opera 5 have their Ethel Smythe double bill opening at Theatre Passe Muraille on the 22nd. There’s also an evening of opera improv; Whose opera is it anyways?! at the Bad Dog Theatre on the 16th organised by Loose TEA theatre. And there’s quite a bit more of interest. Continue reading
I went to see the TSO last night because there was a Boulez piece programmed that I wanted to hear. It was a rather odd evening. It kicked off with Morawetz’ Carnival Overture Op.2. This was I suppose the designated Canadiana. It’s a roughly five minute piece that sounds like the Brahms of the Academic Festival Overture crossed with Dvořák. Too much brass and cymbals for my taste. Then came about ten minutes of faffing about reorganising the stage for the Boulez followed by Peter Oundjian coming out and making one of those cringingly apologetic speeches for programming something “difficult”. I hate this. If an orchestra, opera house or chamber ensemble is going to program atonal, serialist or what you will music (and they should) by all means explain how it works in a program note but don’t patronise the audience and, above all, don’t apologise. If it needs an apology why are you programming it?
Yes it is and here’s what’s coming up. Sadly Natalie Dessay’s Koerner gig tonight has been cancelled. Get well soon and please come back! Tomorrow at 8pm the TSO has a concert with Carla Huhtanen featuring Morawetz’ Carnival Overture, Boulez’ Le soleil des eaux and Rimsky-Korsakoff’s Scheherezade. On Sunday Lyndsay Promane has a recital at 3pm at Islington United Church with works by Dowland, Faure, Schubert, Vaughan Williams and Strauss. Admission is by donation
Next week there are a bunch of free concerts in the RBA at noon. On Tuesday it’s Alysson McHardy and Rachel Andrist with a program of Schumann and Zemlinsky. Wednesday sees Aaron Sheppard and Stéphane Mayer perform Finzi’s A Young Man’s Exhortation. They will also be joined by Sam Pickett and Megan Quick. Finally, on Thursday Lauren Eberwein, who is sounding really good recently, and members of the COC Orchestra will perform two J.S. Bach cantatas; Ich habe genug and Vergnügte Ruh.
Louis Riel and Tosca continue at the COC.
Last night saw the opening concert of the TSO’s New Creations Festival. It opened with a sesquie by Andrew Staniland; Reflections on “O Canada” After Truth and Reconciliation. Sesquies are two minute “fanfares” composed to commemorate Canada’s 150th. Staniland’s version was a bold attempt to deal with the immensely complex subject of reconciliation between Canada and its native peoples and, of course, one can’t do that in two minutes in any medium. Reflections was an interesting stab though. It was structured as a very quiet canon for high strings in a minor key using the principal theme of O Canada and ending with an overblown fanfare in the winds. You can apply your own political interpretation.
Next week is rather back end loaded. There’s not much on early in the week but then things hot up. On Thursday Against the Grain host the monthly opera pub night at The Amsterdam Bicycle Club at 9pm. This time we are promised Topher and present and past members of the Ensemble Studio. That evening is also the opening of the Canadian Children’s Opera Company show Brundibár which I previewed last week and which runs until March 5th. Also on Thursday there’s the opening of R. Murray Schafer’s Odditorium, presented by Soundstreams at the Crow’s Theatre. That one runs until the 5th. Finally, on Saturday the amazing Inuit throat singer Tanya Tagaq is appearing with the TSO at Roy Thomson Hall in a concert that features two world premiers and a Canadian premier.
We are moving into busy season for the next two or three weeks. Next week, Tuesday sees a lunchtime recital in the RBA by Phillip Addis with song cycles by Maurice Ravel and Erik Ross. Wednesday sees a concert staging of Salvatore Sciarrino’s The Killing Flower (Luci mie traditrici). It tells the story of Carlos Gesualdo’s murder of his wife and lover. Performers include Shannon Mercer, Geoffrey Sirett, Scott Belluz and Keith Klassen. It’s at Walter Hall at 7.30pm with a pre-show with the composer at 6.30pm. Sciarrino is involved in other events connected with the New Music Festival all week. Thursday is opening night for the COC’s Götterdämmerung at the Four Seasons Centre with an early kick off time of 6pm. Alternatively the TSO are doing the Fauré Requiem with Karina Gauvin and Russell Braun on both Wednesday and Thursday evenings.
Hot on the heels of the RCM, the Toronto Symphony has announced its 2017/18 season, whih will be Peter Oundjian’s last as Music Director. There’s lots of sesquicentennial stuff of course but here’s a summary of the interesting vocal stuff (rock and roll and other children’s music omitted).
September 27,28 and 30, 2017: Brahm’s German Requiem with Erin Wall and Russell Braun.
October 19 and 20, 2017: Mahler’s Das Lied von der Erde with Susan Platts and Michael Schade. This is billed as a Maureen Forrester commemoration.
November 9 and 11, 2017: Jeffrey Ryan’s Afghanistan:Requiem for a Generation with Measha Brueggergosman, Alysson McHardy, Colin Ainsworth and Brett Polegato.
December 16, 19, 20, 22 and 23, 2017: Handel’s Messiah with Karina Gauvin, Kristina Szabó, Frédéric Antoun and Joshua Hopkins.
April 26 and 28, 2018: A concert performance of Bernstein’s Candide with Tracy Dahl, Judith Forst, Nicholas Phan and Richard Suart.
June 2 and 3, 2018: A concert called Water Music with Leslie Ann Bradley singing Dvorak, Schubert and Mozart.
June 28 and 29, 2018: Peter Oundjian signs off with a Beethoven 9. Soloists tba.
Full details here.