Wow! There’s a stack of season and other announcements in my inbox. Apologies for any redundancy from earlier posts but here’s stuff you might want to know. In no particular order…
On November 6th at 7.30pm in the Conservatory’s Temerty Theatre Happenstance, made up of clarinettist Brad Cherwin, pianist Alice Hwang and singers Adam Harris and Whitney Mather, are giving a free concert. Adam will be singing a set by Jean Francaix, promised to be “hysterical”, with bass clarinet, and Whitney will be singing Messiaen’s Resurrection with Alice and a duo for soprano and clarinet, Pascal Dusapin’s To God. I would be all over this but I’m tied up that night.
Thursday 23rd at 8pm, Karina Gauvin is performing with Tafelmusik at Koerner Hall in a concert called The Baroque Diva. Details are here. This will be repeated on Friday and Saturday evenings and on Sunday at 3.30pm. Sunday at 3.30pm Voicebox are presenting Mussorgsky’s Khovanshchina. I’m not sure where it will fall on the semi-staged to concert spectrum but it’s definitely piano accompaniment (Narmina Afandiyeva) and the cast is headed up by Andrey Andreychik. This is a piece that played in full runs over three hours so it will be interesting to see what they choose to include, or not.
Tomorrow (Sunday) is a busy day. There’s a matinée of Götterdämmerung at the COC with a few tickets still available. UoT Opera is doing their annual student composer piece. This year it’s called Prima Zombie and it’s based on the premise that a cabal of disgruntled music critics, disenchanted with the current state of opera, unearth and electrify the corpse of the celebrated 19th century diva Nellie Melba. Mayhem ensues. This one is in the MacMillan Theatre at 2.30 pm and it’s free.
Today at 2.30pm Voicebox:Opera in Concert are performing Bellini’s I Capuleti e i Montecchi. It’s Bellini’s take on Bandello rather than Shakespeare, not a lot happens and the orchestral music is ho hum so a semistaged version with piano isn’t a bad bet if the singing is good. Juliet is the up and coming Caitlin Wood. Romeo, on whom much depends, is Anita Krause. It’s at the St. Lawrence Centre for the Arts.
VOICEBOX:Opera in Concert has announced details of their upcoming season. There are four shows:
October 30th sees Shakespeare 400, featuring music using and inspired by Shakespeare’s texts. Solists are Michael Nyby, Holly Chaplin, Gena van Oosten, Diego Catalá, Stephanie Kallay, Anthony Rodrigues and Mikhail Shemet witrh pianist Narmina Afandiyeva and chorus.
On November 20th it’s more bard (sort of) with Bellini’s I Capulet e i Montecchi. Anita Krause sings Romeo, Caitlin Wood is Juliet and Tonatiuh Abrego plays Tybalt with Raisa Nakhmanovich at the piano.
Onto the new year and it’s Haydn’s L’isola disabitata on February 5th. This, for me, is the one to go for. Haydn’s operas are greatly underrated and this is the piece that gets Kevin Mallon and the Aradias in the pit rather than just piano. The cast includes Valérie Bélanger, Marjorie Maltais and Alexander Dobson.
The season finishes up with Mussorgsky’s epic Khovanshchina, presumably in much reduced form. Voicebox:OIC Sunday afternoons rarely run much over two hours and Khovanshchina is well over three. The soloists include Emilia Boteva, Andrey Andreychik and Dion Mazerolle with Narmina Afandiyeva at the piano.
All performances are at 2.30pm in the St. Lawrence Centre’s Jane Mallett Theatre.
For those of you who were wondering “whatever happened to Opera 5?” they are back, and with some pizzazz (and possibly some pizza). Their upcoming show is an “immersive” version of the Johann Strauss classic Die Fledermaus. In act 2 patrons will be encouraged to interact; to dance with the cast, gamble at the tables, snort coke with Prince Orlofsky (ok I made that up) etc. The cast includes Michael Barrett, Rachel Krehm, Julie Ludwig and Erin Lawson with drag queen Pearle Harbour as Ivan and emceeing. Aria Umezawa and Jessica Derventzis direct with Patrick Hansen conducting. It plays at 8pm on June 8th to 11th at 918 Bathurst Street. Tickets at www.opera5.ca.
I caught the second and final performance of Isis and Osiris – Gods of Egypt presented by Voicebox:Opera in Concert yesterday. It’s a new piece with a libretto by Sharon Singer and music by Peter-Anthony Togni. It tells the story of mythical ancient Egypt under the rule of sibling consorts Isis and Osiris and there struggle with their brother Seth who embodies violence and chaos. In the process Seth disposes of Osiris in fourteen pieces but Isis manages to gather up all save the phallus. A golden replacement is made, Osiris is revived and the cosmic order restored. It’s quite a promising premise but it never really comes off.