There must be more money

Rocking Horse Winner; music by Gareth Williams and libretto by Anna Chatterton, opened last night at the Berkeley Street Theatre.  It’s based on the short story by DH Lawrence and is a co-commission of Tapestry Opera and Scottish Opera.  There are some changes from the original story.  Here Paul is a developmentally challenged adult (on the autism spectrum) rather than a child.  The gardener is replaced by his personal care worker who moonlights as a caller at the local racetrack.  This has a couple of advantages.  It provides something of a rationale for Paul hearing the “voice” of the house and for his apparently inexplicable intuition about race winners and it also means that Paul can be cast as a tenor rather than having to make an awkward choice between a boy soprano or a pants role.  As Paul is one of, perhaps the main, character, this simplifies casting considerably.  The work is also gently updated.  So gently in fact that it’s barely perceptible.

RHW-L to R, top to bottom Keith Klassen as Oscar, Peter McGillivray as Bassett, Asitha Tennekoon,, Stephane Mayer, Aaron Durand, Sean Clark, Elaina Moreau, Erica Iris

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Much Ado

11160680_986649388020560_2336906169017147576_nI really wasn’t at all familiar with Berlioz’ Béatrice at Bénédict before last night’s opening of a production by Metro Youth Opera at the Daniels Spectrum.  All I knew was that it had something to so with Shakespeare’s Much Ado About Nothing and a reputation for being rather tedious.  For the record it’s basically the Shakespeare play shorn of all the darker elements; no Don John, no fake funeral, resulting in a RomCom in which the title characters, after much verbal sparring,  are finally brought to admit that they are in love and get married along with Claudio and Héro.  Further compressed a little (Somarone is axed) for this production it runs a pleasingly untedious two hours or so.

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Béatrice and Bénédict

BetBHere’s another listing I missed in the chaos of moving back into the Kitten Kondo.  Metro Youth Opera have a run of three performances of Berlioz’s Béatrice and Bénédict at the Daniels Spectrum (Aki Studio).  The shows are on April 24th and 25th at 7.30pm and the 26th at 2.30pm.  Alison Wong directs with Natasha Fransblow as Music Director.  The cast includes Simone McIntosh as Béatrice and Asitha Tennekoon (Paris in the recent GGS La belle Hélène) as Bénédict.  Full details and tickets are available here.