Tapestry Songbook VI

wallisgiuntaThis concert was the culmination of several days of workshops involving Wallis Giunta, Jordan de Souza and eighteen emerging artists; both singers and pianists.  It’s a comparatively unusual opportunity to focus on contemporary repertoire for a while and the results were fun.  As usual with these multi-participant efforts I’m not going to attempt to be exhaustive but just concentrate on my personal highlights.

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Kickin’ Puss

Xavier Montsalvatge’s El Gato con Botas, given last night by the Glenn Gould School at Mazzoleni Hall, may not be the most profound thing in the opera canon but it is fun.  The 1948 score is jazzy and accessible and the libretto has fun with the fairy tale of the scheming cat and her gormless monkey servant.  The lighter, even absurdist, elements of the plot were rather played up, and to good effect, in Liza Balkan’s production.  Mazzoleni Hall is not the easiest place to present opera.  There’s no pit and no way to do surtitles.  Not much in the way of wing space or scenery handling either.  Balkan got round this by placing the band on stage and using very simple sets and props that often spilled over into the auditorium even getting Charles Sy, sitting in the front row, to take a selfie of the wedding party at the end.  Given that the Spanish numbers were not surtitled, it was smart to add extra English dialogue, much of it improvised.  I certainly didn’t have any difficulty following the story.  Credit too to lighting designer David Degrow too for making the most of the limited resources of Mazzoleni.

folksongs

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Albert Herring fifty years on

It was quite a party at the MacMillan Theatre this afternoon.  The MacMillan opened fifty years ago with a production of Britten’s Albert Herring and this afternoon marked the final performance of a new production to celebrate the occasion.  Directed by Joel Ivany, it was a straightforward but lively and very well characterised interpretation that brought out many of the very specific and quirky elements of the local culture while taking it mysteriously up market in some ways. (*).  Coupled with very good singing by any standard, and this was a student production, it made for a most enjoyable afternoon.

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